Scene 1 - Geometrical Movement Sequence
We noticed that in Theatre La Gaia Scienza, the players became part of the set, they use the set to physically move and become as one with it. We decided to use chairs, so that we could become part of our set, we started on the floor, laying on the floor behind our chairs, we then pushed our chair forwards and started our routine in cannon.
Scene 2 - ‘The Force’
In an image we found from Teatr Nowy, there was a man using an imaginary force to push a woman backwards, we liked the idea of this force and decided to use it in a sequence whilst still using our chairs, our chairs were left in interesting positions after the last sequence and we got into diffeerent shapes using our chairs we then leant from one side to the other then backwards and forwards like a gravitational force was pulling us.
In an image we found from Teatr Nowy, there was a man using an imaginary force to push a woman backwards, we liked the idea of this force and decided to use it in a sequence whilst still using our chairs, our chairs were left in interesting positions after the last sequence and we got into diffeerent shapes using our chairs we then leant from one side to the other then backwards and forwards like a gravitational force was pulling us.
Scene 3 - Chair Sequence
We then repeated our initial Geometrical Movement Sequence, except from different directions, this added more depth to the geometry used in out piece. We then left the stage covering our faces with our chairs.
We then repeated our initial Geometrical Movement Sequence, except from different directions, this added more depth to the geometry used in out piece. We then left the stage covering our faces with our chairs.
Scene 4 - Me in the box, gravitational force.
In rehearsals we played a lot with boxes, as in both Teatr Nowy and La Gaia Scienza there was prominent use of boxes. Not only did we like the geometrical aspect of the boxes, but also the idea of illusion that it created. The three companies I researched into all had illusive aspects to there work.
Scene 5 - Media
We were drawn into a circle, we moved robitically using different heights and shapes, ‘the illusionist’ then tries to force us to take newspapers from him, we refuse by leaning our bodies as far from him as possible, still in a circle wuth our arms linked, as he walks around us we lean away from him.
Scene 6 - Electrons
The papers are then forced upon Soraya, a force then surrounds her, as Dasha, Leanne and I try to get to the papers we are repelled back, using different hights and shapes with our bodies.
In rehearsals we played a lot with boxes, as in both Teatr Nowy and La Gaia Scienza there was prominent use of boxes. Not only did we like the geometrical aspect of the boxes, but also the idea of illusion that it created. The three companies I researched into all had illusive aspects to there work.
Scene 5 - Media
We were drawn into a circle, we moved robitically using different heights and shapes, ‘the illusionist’ then tries to force us to take newspapers from him, we refuse by leaning our bodies as far from him as possible, still in a circle wuth our arms linked, as he walks around us we lean away from him.
Scene 6 - Electrons
The papers are then forced upon Soraya, a force then surrounds her, as Dasha, Leanne and I try to get to the papers we are repelled back, using different hights and shapes with our bodies.
Scene 7 - Geometrical Newspaper Sequence
We then did a synchronised sequence with our newspapers, opening them at the same time and moving them left, middle, right, middle, in, out.
We then did a synchronised sequence with our newspapers, opening them at the same time and moving them left, middle, right, middle, in, out.
Scene 8 - The Box
We made a rotating box, there was 4 of us, each holding our paper at the sides with one person in the middle, we then rotated so each person was in a diffrent place of the box, we repeated this four times. This was both geometrical and once again had the use of box.
We made a rotating box, there was 4 of us, each holding our paper at the sides with one person in the middle, we then rotated so each person was in a diffrent place of the box, we repeated this four times. This was both geometrical and once again had the use of box.
Scene 9 - Newspaper Movement in Line
We had a height ascending line, each of us held our newspapers in front of our faces, then did synchronised movements with our newspapers.
We had a height ascending line, each of us held our newspapers in front of our faces, then did synchronised movements with our newspapers.
Scene 10 - Running After Papers
Suggessting the papers are almost possessing us, from not taking them, to not being able to resist them, We then used a geometric inspired circle, opening our newspapers at the same time to create a pattern. This also expressed how the media can brain wash people. (Going back to the idea of posession).
Suggessting the papers are almost possessing us, from not taking them, to not being able to resist them, We then used a geometric inspired circle, opening our newspapers at the same time to create a pattern. This also expressed how the media can brain wash people. (Going back to the idea of posession).
Scene 11 - Illusion
Lloyd (the illusionist) enters the circle, as he goes down, the people creating the circle stand up, we hold our paoers over the illusionist and he disappears, his force still pulls us buck to where he disappeared and then throws us forward, his arm reappears and drags us from left to right.
Lloyd (the illusionist) enters the circle, as he goes down, the people creating the circle stand up, we hold our paoers over the illusionist and he disappears, his force still pulls us buck to where he disappeared and then throws us forward, his arm reappears and drags us from left to right.
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